The annual College Music Journal, or CMJ, festival is an event I usually try to avoid. During those five days in October I find that my usual favorite music venues are mobbed with people who have no idea how to act at a New York show (what is this youthful enthusiasm they exhibit?). I have noticed that the high energy and packed schedule of events seem to make me more tired than excited. However, when my band Corita was selected to play an official CMJ showcase and our friends Torches came east for their first New York shows this I decided that this year I would come out of my curmudgeonly shell and participate in the festival. What followed was one of the most fun, sleep deprived weeks of my entire life. Below is a recap.
While the official CMJ festival began on Tuesday, I kicked off the week a little early on Monday night to see Torches’ first-ever show in New York City. You may remember my bandmates and I met Torches in a parking lot outside of a bike shop at South by South West in March (they used to be called Torches in Trees, but they now just go by Torches). We were struck by their genuine excitement about the music they were making, the beauty of their songs and commitment to making their band a success. I was also doubly glad to see them because to get to New York on Monday they had driven straight to NYC from Minneapolis, about a 20 hour drive, after their show there on Sunday night.
Having lived in NYC for eleven years now, sometimes I forget how frenetic it can be. Showing Torches around the Lower East Side was a fantastic chance to see the city through new eyes, and update my knowledge of my hometown as we ran around testing bars, pizza places and late night dining options.
On Tuesday, running on two hours of sleep, I picked up my official CMJ badge. Looking at it I took a moment to reflect on the fact that Corita is actually working slowly, at our own pace, to establish ourselves as a band. I also made a last minute flyer to give out.
Wednesday was Corita’s showcase show at Fontana’s, a great club on the Lower East Side which also hosted our first show ever over three years ago. It is rare to find bookers and promoters who are supportive of independent music in Manhattan and who take the time to care about your band at all, but Jasper at Fontana’s has been there for us and we felt really privileged to be part of their “faves” showcase. The only wrinkle was that our bassist Aileen wasn’t there. She was stuck dealing with a situation that included tabloids, court room brawls, tears and the Walking Dead. We soldiered on as a three piece and I think pulled off a pretty rockin’ show.
To continue the CMJ madness, as soon as we finished our set and thanked our friends for coming my friend Minnie (who took the pictures of Corita here) and I ran 10 blocks north just in time to catch Torches’ second New York show, which was part of an official showcase for Rockstar Motel. Minnie was in town from Paris via Montreal to soak up as much NYC as she could in a short time.
I took a night off on Thursday and Friday got to keep the party going with the master of partying himself, Andrew W.K. as Torches were playing a show at Santos Party House.
Saturday I felt I could start to recover from the frantic week of rock and work, enjoy my friends’ company and take in more rock shows. The day started with an assessment of the state of my apartment, which resembled the fallout after an indie rock bomb explosion. In the midst of this I made apple cinnamon pancakes to fortify us all for the night of rock and roll ahead.
Saturday night brought the discovery of two new-to-me (but maybe old news to everyone else) bands: Weekend and Wild Nothing. Weekend treads heavily in early 1990s shoegaze territory, which is one of my favorite periods of music, and I heard echoes of the Stone Roses, Ride and even a little New Order in their set. Wild Nothing solidly references 1980s New Wave and I felt like I heard snippets of the Smiths, the Cure, and more New Order all evening. Because I have a tendency to listen the same music over and over, being inspired to get off my duff and find out about new bands was refreshing.
While CMJ officially finished on Saturday, Torches still had one more NYC show on Sunday night, so we were able to extend the party a little longer. At Pianos they shared the stage with The Golden Awesome, a band based in New Zealand that makes beautiful, drony, dreamy pop that is reminiscent of Stereolab or Broadcast.
Torches’ final NYC shows was one of their best, though I loved being able to catch them four times during the week. Their songs contain shimmering pop riffs, memorable hooks and beautiful vocal harmonies that are driven by thoughtful lyrics. Despite hailing from sunny Los Angeles, Torches songs tend towards the dark, but there’s always a kernel of redemption in them. It’s been exciting to watch their progress as a band since we met them in March and I know they have much more in store as a band.
After their show and some celebratory pizza I waved goodbye to Torches as they prepared to drive through the night to their final show on tour in Chicago. As we promised to see each other soon I realized that one of the reasons I love being involved in indie rock, for lack of a better term, is the friendships I’ve forged over the years. It still amazes me that I can meet people who live so far from me, with very different life experiences, and bond so quickly and complicity. The music gives us a venue to share our sources of creativity and inspiration and connect around some of the things that we hold most dear to our lives.
If you haven’t seen it yet, here’s the official video for Torches’ song “I Want Something”:
Thank you, all, for great week. Also, on a practical note, Torches are running an Indie Go Go campaign to raise money to record their new album. Check it out and give if you want to be part of seeing an inspiring, emerging band “make it.”