February 11, 2013 § 3 Comments
As a way to torture myself a little bit I loaded LA weather on my phone, so the other day when it was twelve degrees in New York City I could console myself with sunnier thoughts, knowing it was in the 70s in Los Angeles. Thankfully, winter can also be a great time to score cheap plane tickets, so when round trip prices from JFK to LAX dipped below $300 snagged one for a long weekend in the city that is my current source of infatuation, just in time for the first annual LA Art Book Fair.
I made time to visit my (new) favorite haunts in Silver Lake and Echo Park and to see friends, but also to explore more nooks and crannies of this sprawling metropolis. After a walk at the Baldwin Hills Scene Overlook and coffee to shake off my jetlag on Friday morning I headed downtown for the art book fair, which was being held at the Museum of Contemporary Art’s Geffen Building. As is the nature of these events I was immediately overwhelmed with bound creations and intriguing exhibitions, but I especially loved the “zine world” section of the fair and hope that one day I too could be considered a “zine master of the universe.”
I also feel like this trip gave me more chance to talk with artists, writers and creative types (outside of the film biz) who are making their lives and work in LA. I was especially excited to meet Mimi of the architectural zine and blog Loud Paper who recently moved from Brooklyn and was working the table for the LA Forum for Architecture and Urban Design, whose dayglo posters with quotes from LA architects and planners drew me from across the room. I also noticed some general trends in art books and zines at the fair: neon as an accent color was hot, everyone had a tote bag for sale, and about half of the zines available had some kind of homoerotic content (mostly male).
Friday evening coincided with (my) discovery of some of the restaurants and bars of the “Arts district” downtown (which may or may not have any actual artists still living there), with delicious continental beers at Wurstkuche (though I passed on the rattlesnake sausage they had on offer) and a suburbly proportioned, locally sourced dinner at Eat Drink Americano. Later that evening at the Satellite I discovered a new favorite band: the Happy Hollows, who enthusiastic delivery was matched only by the crowd’s enthusiastic reception. After New York’s jaded rock audiences, seeing the Happy Hollows and the warm crowd at the Satellite was a welcome change.
I started my Saturday with a lovely walk in Griffith Park and a pass through the Silver Lake farmer’s market for a coconut, kale and dandelion green smoothie. I later took a wander around West Hollywood, including a glance inside the beautiful new library, and had a wonderful chat all facilitated by Team Gloria, who is my constant source for writing and lifestyle inspiration. After a delicious, lingering brunch conversation about writing, zines and life in LA with Liz at Barbrix in Silver Lake I swung back by the book fair. I was so exhausted by the artistic possibilities I saw I had to take a nap before braving the freeways to Orange County.
As if my LA weekend couldn’t get any dreamier, my friends Torches let me know they were playing a last minute (and sold out!) show in Orange County at the Constellation Room. Despite my culture shock of finding a decent rock club in the middle of a suburban office park, to see Torches on their (sort of) home turn in Southern California was a dream come true. It was really fun to hear their new material, meet their new bassist Braedon, and see a whole group of fans gaze at them adoringly. The newer material rocks a little harder than the songs they played in NYC this fall and their set was full of pop hooks and great vocal harmonies and tremendous drumming by Eric. You can get a taste (and download a new track!) on their Soundcloud page.
I’m also proud to say that thanks to my Orange County jaunt I’ve started to perfect the art of talking like an Angelino and saying things like “Take the 605, to the 405, to the 5, to the 101, to the 110,” when discussing getting around.
Sunday was a complete change of pace with a drive up the Pacific Coast Highway, through Malibu, to hike down a canyon at Circle X Ranch, an outing carefully orchestrated by my friend Phoebe and accompanied by my gracious host Kabir. After shuffling along NYC’s icy streets, to be out in the desert sun, smelling spring flowers and marveling at the sandstone cliffs felt like an entirely different world and completely freeing.
To reward ourselves for our hiking efforts we stopped at Neptune’s Net, a fried seafood shack that is a favorite among the biker crowd. Between perfectly grilled fish tacos, crispy fried shrimp and a glimmering view of the pacific I was completely satisfied. The day was completed by watching the sun sink into the water, followed by a glass of wine and an excellent plate of artisanal cheese at super cute downtown wine bar Mignon.
Suffice it to say, LA is still casting its spell on me and continues to lure me with all of its charms. I hope I can go back soon.
December 31, 2012 § Leave a Comment
Happy last day of 2012 everyone! Like many music nerds I used to make a top ten list of the new albums I had bought, and loved, each year. I’ve majorly backed off on buying albums and also lived under a music rock for quite some time. However, thanks to some good friends who clued me back into music and to services like Spotify (controversial, I know, but great for discovering new music), as well as going to big music events like South by South West and CMJ I feel like I’ve gotten back in the music game (and have bought albums, not just streamed them for free, thank you very much!). So here’s my top five songs, plus one bonus, that came out this year that have stuck with me.
I love Tame Impala’s fuzzed out pop. It’s catchy, it’s trippy and I feel like I can listen to it forever.
My favorite musical discovery this year: great songs, great people and a great future ahead for Torches. And a great video.
I’ll be honest that this video is hard for me to watch, especially as someone who used to work in violence prevention. But! Alt-J (∆) is a fantastic band and this song has been on repeat since I first heard it.
I realize I’m cheating a little bit on the Local Natives – their album Hummingbird, which features “Breakers,” comes out in January of 2013 and I’ve already pre-ordered my copy, but this single came out this year and it’s fabulous.
Grimes is wonderful and weird. It kind of irks me she’s become somewhat of a fashion icon (she’s featured in Vogue every month it seems), but good for her. She must have a good agent. I still like her music though.
Wild Nothing sounds like a wander through all my top 80′s bands. And as a travel junkie I appreciate this video.
Also, based on Flavorpill’s annual stereotyping of people based on their favorite record of the year I am either: a boring English dude (Alt-J), a shaggy haired dude who stands in front of you at shows (Tame Impala), or a girl who updates her Tumblr several times an hour (Grimes).
What were your favorite songs of 2012?
Have a safe and happy new years, everyone!
November 11, 2012 § Leave a Comment
If you asked me to imagine my dream boutique what would it be? Well, it would have feminist and lady-powered music, zines and independent books, fun accessories, a tight selection of perfect clothes that are both functional and fashionable that could go from the street, to work, to a rock show, as well as serving as a community gathering and event space for music, readings and art. Well, low and behold, my dream boutique exists and it exists in Paris no less.
Gals Rock is a space dedicated to ladies/women’s/girls/grrrls’ rock music and culture. A petite boutique in the 9eme in Pigalle, just steps away from the tourist crush of Monmatre, its an oasis of feminist creative energy. The front room features clothes, accessories and zines for lady rockers and their allies. I found a perfectly fitted, ladies button down shirt that was created by the Gals Rock crew who were frustrated that they couldn’t find a shift tailored to ladies’ proportions. In addition, I couldn’t resist picking up a silkscreened t-shirt with a hand drawn design featuring the names of all my favorite grrrl bands from the 1990s, including Sleater-Kinney, Excuse 17, and Huggy Bear. I wear that shirt with pride! Gals Rock also features a wide selection of the indie fashion label Kulte.
The back room is dedicated to music, most of it independent, in which girls, grrrls, ladies, and women play a key role. While Gals Rock clearly is focused on rock music and culture, their selection includes electronic and hip-hop music as well and is forward looking and broadly defined. The ladies who run the shop host regular events and concerts, all which sound like the perfect, feminist, music focused soirees. As if I ever needed more reasons to move to Paris.
Gals Rock, 17 Rue Henry Monnier, 75009 Paris
October 29, 2012 § Leave a Comment
The annual College Music Journal, or CMJ, festival is an event I usually try to avoid. During those five days in October I find that my usual favorite music venues are mobbed with people who have no idea how to act at a New York show (what is this youthful enthusiasm they exhibit?). I have noticed that the high energy and packed schedule of events seem to make me more tired than excited. However, when my band Corita was selected to play an official CMJ showcase and our friends Torches came east for their first New York shows this I decided that this year I would come out of my curmudgeonly shell and participate in the festival. What followed was one of the most fun, sleep deprived weeks of my entire life. Below is a recap.
While the official CMJ festival began on Tuesday, I kicked off the week a little early on Monday night to see Torches’ first-ever show in New York City. You may remember my bandmates and I met Torches in a parking lot outside of a bike shop at South by South West in March (they used to be called Torches in Trees, but they now just go by Torches). We were struck by their genuine excitement about the music they were making, the beauty of their songs and commitment to making their band a success. I was also doubly glad to see them because to get to New York on Monday they had driven straight to NYC from Minneapolis, about a 20 hour drive, after their show there on Sunday night.
Having lived in NYC for eleven years now, sometimes I forget how frenetic it can be. Showing Torches around the Lower East Side was a fantastic chance to see the city through new eyes, and update my knowledge of my hometown as we ran around testing bars, pizza places and late night dining options.
On Tuesday, running on two hours of sleep, I picked up my official CMJ badge. Looking at it I took a moment to reflect on the fact that Corita is actually working slowly, at our own pace, to establish ourselves as a band. I also made a last minute flyer to give out.
Wednesday was Corita’s showcase show at Fontana’s, a great club on the Lower East Side which also hosted our first show ever over three years ago. It is rare to find bookers and promoters who are supportive of independent music in Manhattan and who take the time to care about your band at all, but Jasper at Fontana’s has been there for us and we felt really privileged to be part of their “faves” showcase. The only wrinkle was that our bassist Aileen wasn’t there. She was stuck dealing with a situation that included tabloids, court room brawls, tears and the Walking Dead. We soldiered on as a three piece and I think pulled off a pretty rockin’ show.
To continue the CMJ madness, as soon as we finished our set and thanked our friends for coming my friend Minnie (who took the pictures of Corita here) and I ran 10 blocks north just in time to catch Torches’ second New York show, which was part of an official showcase for Rockstar Motel. Minnie was in town from Paris via Montreal to soak up as much NYC as she could in a short time.
I took a night off on Thursday and Friday got to keep the party going with the master of partying himself, Andrew W.K. as Torches were playing a show at Santos Party House.
Saturday I felt I could start to recover from the frantic week of rock and work, enjoy my friends’ company and take in more rock shows. The day started with an assessment of the state of my apartment, which resembled the fallout after an indie rock bomb explosion. In the midst of this I made apple cinnamon pancakes to fortify us all for the night of rock and roll ahead.
Saturday night brought the discovery of two new-to-me (but maybe old news to everyone else) bands: Weekend and Wild Nothing. Weekend treads heavily in early 1990s shoegaze territory, which is one of my favorite periods of music, and I heard echoes of the Stone Roses, Ride and even a little New Order in their set. Wild Nothing solidly references 1980s New Wave and I felt like I heard snippets of the Smiths, the Cure, and more New Order all evening. Because I have a tendency to listen the same music over and over, being inspired to get off my duff and find out about new bands was refreshing.
While CMJ officially finished on Saturday, Torches still had one more NYC show on Sunday night, so we were able to extend the party a little longer. At Pianos they shared the stage with The Golden Awesome, a band based in New Zealand that makes beautiful, drony, dreamy pop that is reminiscent of Stereolab or Broadcast.
Torches’ final NYC shows was one of their best, though I loved being able to catch them four times during the week. Their songs contain shimmering pop riffs, memorable hooks and beautiful vocal harmonies that are driven by thoughtful lyrics. Despite hailing from sunny Los Angeles, Torches songs tend towards the dark, but there’s always a kernel of redemption in them. It’s been exciting to watch their progress as a band since we met them in March and I know they have much more in store as a band.
After their show and some celebratory pizza I waved goodbye to Torches as they prepared to drive through the night to their final show on tour in Chicago. As we promised to see each other soon I realized that one of the reasons I love being involved in indie rock, for lack of a better term, is the friendships I’ve forged over the years. It still amazes me that I can meet people who live so far from me, with very different life experiences, and bond so quickly and complicity. The music gives us a venue to share our sources of creativity and inspiration and connect around some of the things that we hold most dear to our lives.
If you haven’t seen it yet, here’s the official video for Torches’ song “I Want Something”:
Thank you, all, for great week. Also, on a practical note, Torches are running an Indie Go Go campaign to raise money to record their new album. Check it out and give if you want to be part of seeing an inspiring, emerging band “make it.”
August 10, 2012 § Leave a Comment
Sometimes you have to travel far away to meet someone who lives next door. That was certainly the case when my band Corita went to Austin this spring to play (unofficial) shows during the South by South West music festival. We were lucky enough to play with bands from all over the country, including bands from Brooklyn! We met Jim Campbell when he was playing in Moonmen on the Moon, Man and he gave us a 7″ of his band Paper Fleet. While we were playing Jim shot this great footage of Corita playing our song “Degrees of Freedom” on Super 8. Fastforward a few months and he managed to splice together audio recording he made and the film and voila! Corita’s very own home movie! Enjoy our punk rock parking lot performance.
We also just played a show last night with Paper Fleet at Don Pedro’s in Williamsburg. It’s such a treat to play with bands that you respect and enjoy. In addition, Don Pedro’s is much improved as a venue since the last time I went there a few years ago. They have a menu featuring delicious homemade burgers and there’s even a vintage store, Mystery Train Vintage, in the basement (!). So last night not only did Jim make another great video of Corita (this time on a digital camera and of our song “Remember That You Will Die”), but I also scored a Guess denim dress and a vintage braided leather belt – a whole new show outfit for $26. Punk rock!
I also want to point out that in this show outfit I am wearing my new, beloved t-shirt from Gal’s Rock boutique in Paris. It’s a whole store devoted to the music and fashion of women who make rock music! I will write more about it when I finally get around to posting my photos from my France trip, but suffice it to say that the t-shirt contains the names of all my favorite bands from the US and the UK in the 1990s. Yes, please!
April 18, 2012 § Leave a Comment
When the MC on the second night of Chickfactor zine’s For the Love of Pop 20th anniversary show admitted to being, “A zip code fetishists who sent concealed pocket money to mysterious post offices boxes in hopes that weeks, sometimes months, later news from the outside world in the form of zines and records would return to my mysterious post office box,” I shared a knowing look with the group of ladies I had come to the show with. We could relate. We all met each other through the post and once referred to ourselves as the “Zine Girl Army.”
Chickfator was, at times, infuriatingly snobby and unabashedly self referential. The editors, Gail O’Hara and Pam Berry, had impeccable taste in independent and underground pop music. The magazine was mostly a showcase of the editors friends and they referred to them by their first name and the name of their project, for example “Gail Chickfator.” In the late 1990′s and early 2000′s I loved to read it for a window into a world of indie musicians, both ladies and dudes, that interacted and partied and frankly, existed, somewhere outside of my small town, teenaged life. My friend Alex used to get so annoyed at Chickfactor’s inflated tone of self-importance he would rant ad nauseam on about it, but of course, couldn’t wait until the next issue came out. Chickfactor, and other zines like it, set the tone and the scene for today’s music blogs and helped paved the way for the explosion of indie pop bands like The Pains for Being Pure at Heart hitting it big time.
No matter how you felt about it, Chickfactor had a magnetism and a draw larger than the publication itself. Twenty years later they were able to pull off a three-night extravaganza in two cities featuring bands who I thought had long since broke up with no chance of reunion. Lois, Small Factory, and Black Tambourine. And the Aislers Set! A favorite band from the moment I heard them in 1998 until they stopped playing so frequently, perhaps circa 2004? Since my head has been in the sand about music since about 2008, I relied on Dominick to give me a hot tip about the reunion and bought tickets the minute they went on sale.
The Chickfactor shows were like a class reunion of people I actually wanted to see. It was a reunion of those of us poured our hearts out in letters and cassette tapes and sent them to each other. Laster some of those friends became my everyday friends (and still are) and close neighbors. Seeing people I used to see at shows was almost as exciting as the music itself. Perhaps most awesome, Marissa “Red Hooded Sweatshirt” came down from Boston to join Laura “The Other Ramona,” Keight “Pink Tea,” Yumi “External Text” and me (Eleanor “Indulgence”) for pre-Aislers Set tacos. We all used to go to shows together in Boston and attend zine events around the northeast over ten years ago. When we sat down to eat tacos Laura turned to Marissa and said, “I haven’t seen you in 11 years!”
My friend Kirsten “Lightening Bug” surprised me by flying into Chicago. We staked out space by the front of the stage for Black Tambourine and the next night, for Aislers Set. She reminded me that she had visited me in NYC in 2002 to see the Aislers Set in Williasmburg when I said something to the effect of, “This neighborhood is just getting really gentrified” to explain it to her. “It’s our 10 year Aislers Set reunion!” she announced.
The reunited bands full of energy and sparkle and sounded as fresh as they did ten or fifteen or twenty years ago. Lois performed with Peter from Heavenly and Molly Neuman and played “Strumpet,” which I quoted on my senior page in the yearbook.
My heart raced as she sang, “I laugh too much, I talk too loud, people stare at me when I’m in a crowd, you say I walk around like I own the whole place, but I do, but anyone else can have it all too, just walk around the town like you own it.” I turned to my friend Amelia, who also went to my high school, “This was on my senior page!” I whispered. She smiled, “I know.”
Black Tambourine were revelatory. So many bands now are playing washed out, reverbed out, noisy music with bitter sweet vocals (ahem, my band might do this too), but Black Tambourine helped start that sound. Hearing them alive made all those who cite them as a reference seem pale in comparison.
Small Factory also rocked out with upbeat disappointment and plenty of jagged, self effacing lyrics. They played one my favorite song, singing the chorus loud and heartfelt, “I’m not giving up, I’m not giving up on nothing, I still believe in nothing, just not so much in love.” To hear these words ring out over buzzing guitars and a sea of people left me feeling like if I’m still here, still listening to this music and still loving it as much as ever, I must have done something right in my life.
The second night British folk singer Bridget St. John entranced me with her ethereal yet earthy songs, but the real highlight for me was The Aislers Set, who played at the very end of the night. My friends and I staked out space in the front of the stage and refused to move. “We’re doing this 90’s style!” Constance announced, meaning, we’re staking our claim and not moving, just like we used to do as younger music fans. It was worth it. To have no frustratingly tall people between us and Linton and watch every strum of her 12 string guitar was better than I could have even dared to hope for.
I love the Aislers Set. Their songs are catchy and poppy, and Linton’s lyrics are like stories that you tell someone about the small thoughts you have everyday that somehow add up to a profound reflection on your life. Her imagery always makes me soar, “The queen of every rooftop,” is one line I love. Their sound is big – big guitars, big pounding drums, big layers and harmonies, but still delicate and jangly.
As I soaked in their songs I realized a significant portoin of my life from about age 18 to 23 was spent listening to the Aislers Set. When they played “Mary’s Song,” with its wistful start and bass line that comes in like a tug on your heart strings tears came to my eyes. In away, I thought, my dreams from the time I listened to these records on repeat have come true, but I still feel the same wistfulness and longing that this song so perfectly captures.
When the Aislers Set took the stage an audience member cried out, “It’s been too long!” Indeed, it has been. My life has been missing the Aislers Set.
I don’t know if there will ever be a new issue of Chickfactor, but if there is I will surely read it. I am grateful for the community I know and got to re-experience at the shows thanks to zines and 90’s indie rock. I’m grateful that creative people who make music and help make my world so great are in my city and I don’t have to wait for their letters in my mailbox. I’m grateful the rise of social media has made keeping tabs on a wider scene so much easier. But the Chickfactor shows also demonstrated how much was built during those days of zip code fetishism. As Lois sang, “I make a scene, I read about my scene in a magazine.” She then added, “I’m glad that for me at that time it was magazines because Tumblr just doesn’t have the same ring to it.”
April 3, 2012 § 1 Comment
Can you believe I’m still talking about SXSW? It was nary a month ago and I still find myself with so much to say about those magical few days in Austin. I saw shows in parking lots and fields, bars and backyards and it all flowed together into a party that I didn’t want to end. There were so many fantastic bands and musicians at the event (in fact, over 6,000 of them by one estimate, counting official and unofficial shows, though I’ve also hear over 2,000… anyway, a lot!), but the best thing about South by for me was not running around trying to see the latest hype darlings, but stumbling upon bands that took me by surprise. In New York I rarely have the time to seek out new music, so shows that I do catch are carefully planned. It was nice to be in a place where the music came to me by virtue of being in the right place at the right time.
Torches in Trees are my big South by discovery. A three-piece psychedelic band from Los Angeles made up of three dedicated kids who drove from LA to Austin straight (that’s about 24 hours, maybe more). Their music shimmers, shines and pulled me in, making me dream of California nights, even though I watched them perform in a dusty Texas parking lot.
River City Tanlines Fronted by the talented Alicja Trout, River City Tanlines is dirty, garagy American rock’n'roll from Memphis that goes straight for the jugular. Alicja and bassist Terrence each had three amps, if that gives you any idea.
Dead Ships are a two-piece garage rock band from LA that tore up the stage at the Gay Bi Gay Gay festival on the last day of South by with a lot of swagger and a little jangle. It takes more than you think to rock a field of queers in the middle of the afternoon after days of partying, but the Dead Ships pulled it off.
Break It Up are a Philly trio of two ladies and a nice guy with great post-punk guitar melodies and jagged crunch, as well as catch bass lines and punchy, blended vocals.
James Arthur’s Manhunt was one of a slew of boozy, crazy garage rock bands we saw on Saturday night at Trailer Space records. Guitars were flung, 7″ records were tossed like frisbees, amps and drums were broken, pedals were stomped on, everyone had a great time, and somehow, no one called the cops.
Christeene is not a band, per se, but Austin’s premiere drag performer, complete with bearish backup dancers in panda masks. Everyone I talked to, both Austinite and visitor, asked me, “Have you seen Christeene?” and thankfully, on my last day in Austin at Gay Bi Gay Gay I did. Aggressive beats, limit pushing choreography and lewd lyrics that get lodged in your brain. Seeing Christeen perform really made my weekend. I am dreaming of a Christeene meets Cheryl performance someday. That would make all of my party/performance art dreams come true.
There’s more photos of bands, and Austin during SXSW in general, in a set on Flickr.
March 28, 2012 § Leave a Comment
Today I have a guest post up on my friend Alejandra O’Leary’s blog about what my big lessons from SXSW. Coming from the perspective of a nonprofit arts administrator and a DIY musician, I wasn’t sure if the SXSW conference would really resonate with me, but it did, and I think I took away some valuable ideas that I hope will be helpful to musicians and all types of creatives. Please check out the entry here and let me know what you think! Also, if you’d like to listen to the insights and ideas shared in the panel I spoke on, Beethoven + Social Media = Crowd Funding Patronage, you can listen to that here! If you’ve been to South by I’d love to know your big takeaways and if not, I’d love to know what you are working on to take your creative project to the next level!
March 19, 2012 § 2 Comments
I am still in a bit of a time warp and there’s so much to stay about my first time at South by Southwest (or SXSW). The days passed like blurs and I tried to absorb as much as I could of the frenetic atmosphere around me. I’ve garnered enough material for several blog posts, but first and foremost I wanted to share these photos taken by A.’s friend JC of Corita’s shows. It was our first time playing out of New York State (in fact our first time playing outside of Manhattan or Brooklyn), our first time playing out of doors, and my first time playing with sunglasses (it’s bright when you play outside in the afternoon). South by was magical because people who did not know us, who actually cared about seeing music, saw and liked our band and told us so. Does that ever happen in New York? Rarely. Thank you again to Austin Girls Rock Camp and Waterloo Cycles for hosting us. It was refreshing to play like minded-venues with like-mined bands and we loved being outside with the wind in our hair!
There’s a set on Flickr and more blog entries about all my reflections and musical discoveries coming soon.
March 15, 2012 § Leave a Comment
One of my favorite part of being in a band is the opportunity to collaborate with other creative people. I’m here at South by South West (full report to be published soon) and one thing I’m learning is that while bands need to increasingly take care of the business aspect of being a band, they also cannot possibly do everything single thing themselves. Those of us who have been in and around the punk scene have known this for years, but it’s nice to see a dialogue about collaboration and supporting each other creatively happening at the highest levels of the music industry.
Getting really good photos was one area where we as a band knew we need to reach out and collaborate with another artist. To get ready for SXSW, and to have the first of what we hope are many great press photos taken by photographers we love, my band Corita worked with Stefano Giovannini, who has shot for bands like Sonic Youth and Cat Power, as well as documented daily life around New York City. He shoots on location and authentically captures expression, mood and the relationships between people.
We chose bold colors and simple props from Party City for our shoot (most of which we didn’t end up using). We were a little bit nervous before we met Stefano – what would he be like? Would he understand our vision? Would he help us shape it? Would he be good to work with? When we met him we immediately felt at ease. He is a genuine, hard working artist who gently directs you so that he can get the best photos possible. So I am proud to share with you Corita’s four “official” press photos and one very special “out take.” Enjoy!
And I can help but think that this one was subtly influenced by the ending of my very favorite CHERYL video.
And one more special out take just for you:
I think that taken together these pictures speak volumes about what, exactly, I love about my band and the music that we create together.