Detroit Art City

When I told people that I was traveling to Detroit for the weekend for work the reactions were polarized. I either got, “Detroit, why?” or, ” Detroit, awesome! I’m so jealous!” Sure, Eastern Michigan would not be my number one pick for a winter getaway, but I didn’t quite understand the disdain for the motor city (though I wasn’t sure why people were jealous either). Yes, it’s been through some hard times, but as savvy observers have noted, it’s undergoing a bit of a renaissance as well. So, it was with open minds and open eyes that we headed off.

A piece at the Heidelberg Project, Detroit

The first thing I noticed was the utter lack of density. As we drove around on Sunday morning I felt often like I was driving through the struggling mill towns of Western Maine. “How did this happen?,” I asked one of our hosts. “Poor city planning,” she replied. Basically, the city was designed for masses of people who never came. But Detroit is not an empty wasteland. Far from it. Detroit artists are currently debating whether “ruin porn” is the best way to show the plight of the city (and incite action). I admit that we didn’t leave without seeing the abandoned Michigan Central Station, which has become a symbol for the city’s decline, and, hopefully, will become a symbol for its renewal if it does get restored, perhaps as a hub for high speed rail?

Michigan Central Station

Michigan Central Station, Detroit

Detroit is a hub for art and culture that has been getting a lot of attention lately. We were sure to check out the Heidelberg Project, where the artist Tyree Guyton has decorated an entire street (and surrounding area) and made it into a “folk art” or “outsider art” or “contemporary art” destination instead of a locus of decay and despair. I loved the project for its political nature and also the fact that there was always more to look at – that’s what makes great art, you always see and feel something new as you continue to look.

Heidelberg Street, Sunday Morning

Heidelberg Street, Sunday Morning, Detroit

We spent a whole Saturday afternoon with the Kresge artist fellows, a group of literary and performing artists who have been given a 1-year fellowship by the Kresge foundation. They were an inspiring, diverse group who are deeply invested in their community, have a sharp analysis of Detroit’s history and current events, and are making profoundly challenging work. They included a double bass player from the currently-on-strike Detroit Symphony Orchestra, a female hip-hop artist who wants to set up a foundation for women rappers, an architect and critic writing a history of the idea of the African American Museum on the Washington Mall, and a host of inspiring poets and others. As one of the artists said, “It’s no longer embarrassing to be from Detroit. I used to hide that I’m from here, but now everyone is interested in what we have going on.”  These artists could teach New Yorkers a thing or two!

Our meeting with the artist fellows was held in the Detroit Historical Society, a beautiful building with lots of engaging, interactive exhibits. I kept taking pictures of all the lovely didactics and also got very excited when I saw real cars in the museum illustrating an assembly line in an auto plant. This is what working in a fine arts museum for years will do to you.

Detroit: Arsenal of Democracy

Detroit: Arsenal of Democracy, didactic at the Detroit Historical Society

After our meeting with the artists we all went to Motor City Brewing to partake in locally brewed beers and artisanal pizza. I flinched a little when we ordered the “Ghettoblaster” beer, but wow, the flavor!

Motor City Brewing Menu

Motor City Brewing Menu

We also made it to the Detroit Institute of Arts and took in a photo show of an amazing Hungarian/French/American photographer Andre Kertesz, to the boutique Goods that features lots of hip, Michigan made crafts, and for lunch at Good Girls Go to Paris Crepes.

The Thinker

Detroit Institute of Arts

We missed the Motown Museum (not open on Sundays! Heartbreak!) and Slows Bar BQ. That just means we’ll have to go back. I’m already planning another work trip in the fall.

What does a girl do in Paris that she doesn't do at home?

Poster in Good Girls Go To Paris Creperie's bathroom, Detroit

And despite my parents’ fears I’d be, “sleeping on the floor of a ramshackle motel,” I was, in fact, sleeping in a restored Victorian mansion that comprised the six-house complex of the Inn on Ferry Street. Featuring an incredibly delicious breakfast, working fire places and free New York Times, I can’t recommend this Inn (and Detroit) enough! Please see my Flickr stream for more pictures!

Carriage House

View of the Carriage House at the Inn on Ferry Street

 

Fall in Manhattan’s Squares

Usually I try to get out of town in the fall to see the leaves changing and the seasons passing. While I did take a brief detour to Maine earlier this fall I sadly have been prevented from taking any serious trip to upstate New York or Long Island due to academic obligations. I even had to miss the annual spooky caravan that Andi organizes!

However, some solace has come through my farm share, which keeps my regularly updated on what produce is in season that week, and the goings-on in the two squares I walk through between work and school. I was treated to some autumnal delights at the epically huge Union Square Greenmarket and at Madison Square Park (which I think is an unsung hero of a beautiful, well funded, well-used park!).

 

Orange pumpkins, yellow tree in Union Square

Selling fall leaves for $8 a bunch would surly give old time Mainers another reason to think the city life is ridiculous

Bold fall colors at the Greenmarket

I just about fell in love when I saw that huge pile of radishes! Meanwhile, in Madison Square Park…

Jim Campbell's "Scattered Light" creates a flutter of light at twilight

...and a very determined squirrel finds a goldmine in a pumpkin placed high in a dead tree

The squirrel caused quite a stir and was much photographed. It’s moments like these that remind me why I love New York.

My Favorite Nothing

The Rubin Museum is doing an interesting social media project where they are inviting visitors to submit videos about, well, nothing for a chance to win tickets to their upcoming series of talks about nothing. The lineup looks great, as you can see on the Rubin’s site here. You can also find the full instructions for how to participate in the nothing project there too.

Basically, visitors are being challenged to “show us nothing” via a 3 minute video. I decided to get the ball rolling and while my video is a little longer I thought the reason for that might (might) be clever. Let me know.
http://www.youtube.com/v/xpBBV4Zh8fk?hl=en&fs=1

Art Handling Olympics


Gold Medal Ceremony
Originally uploaded by killerfemme

I admit it, I didn’t watch the winter olympics. However hard I was rooting for Canada to win a gold in hockey, my lack of TV kept me from the games. But one olympics I was sure not to miss was the first, and hopefully not the last, Art Handling Olympics held today at Ramiken Crucible in Manhattan Chinatown. A bunch of teams of art handlers from institutions, companies and galleries competed in activities like packing, delivering, hanging, the “static hold” (holding really heavy art while a “curator” with a fake German accent barked at them), and “the eliminator,” which included uncrating, assembling, and recrateing a “work of art.”
Before I started working in museums I didn’t know what an art handler was, but quickly realized they are the backbone of the arts world, especially here in NYC. Very few run of the mill people really think about how art makes in from the studio to the gallery or auction house to the museum to the wall, but this is what these guys and ladies deal with everyday. Trucks. Heavy stuff. Impatient dealers, gallerists, curators, and registrars.
Being there felt a little bit like being at Duke Riley’s piece “Those about to Die, we salute you” that took place at the Queens Museum this past summer. It was an art world event. However, it was also really fun to get together and make fun of ourselves in the art world a little bit and make an invisible community a little more visible. Maybe this is what it felt like when bike messengers started having races. Maybe art handling is going to become the next hip thing? Probably not, because I can’t see how it’s marketable in the way bikes are, but I was surprised at how many media reps were at the event, so it definitely sparked some curiosity. It was the perfect way to spend a Sunday afternoon.

Those About to Die Salute You


There are few times working as a museum educator and public programmer that I get to feel like an art world star. Usually I’m the one behind the scenes, checking the logistics and making sure everything goes off without a hitch. This week I, along with some of my colleagues, got a chance to be the stars of the show for a change.

When Peter called me and asked me to be involved in something after work on the 13th I agreed, not really sure what he was asking me to do. Little did I know, I had committed myself to taking part in the “art party of the summer,” Duke Riley’s project “Those About to Die Salute You,” the culmination of his residency at the Queens Museum of Art. Duke constructed boats for teams from 5 Museums in the city (Queens, Brooklyn, Bronx, el Museo del Barrio, Snug Harbor Cultural Center?) out of reeds that grow in Flushing Meadows Corona Park and fashioned a project based on a Naumacia, a Roman battle in the flooded colosseum, held especially during times of hunger and strife. How fitting, I thought. Little did I know what I was in for.

Despite arriving early and being briefed on the rules, both participants and spectators were given copious amounts of free alcohol and the event began to feel a little more like a bacchanal and less like a scripted Roman battle. I was nervous when we got on our boat and were pushed out into the pool, only to have drunken visitors lobbing rotten tomatoes at our heads and kids ran around in the pool. This was not a family program, people and hey, we were supposed to be the spectacle, not them!

Everything that happened after that was a blur, but I do remember the Queens Museum team illegally boarding and capsizing our boat and me scrambling aboard their boat while beefy guys tried to throw me off. Heck no was I going to let that happen. I couldn’t help but remember my great-grandfather, Captain Patrick, who saved his family by lashing them to the mast of his sinking clipper ship. While the Queens Museum celebrated victory, a climbed up their boat and flipped them (and the crowd) the bird. It probably only lasted 5 seconds, but it was an eternity in my mind.

I climbed out of the pool to find myself bleeding. My wounds got a lot of play and made me a rock star at work today, though my head was still pounding from tomato impact.

See the whole story unfold on the Brooklyn Museum’s flickr stream. Gothamist also did a pretty good write up (and took great photos). The New York Times’ City Room Blog also has a pretty good write up.

Opportunus Gladiators Eleanor quod Mary Jane

I am really looking forward to the Duke Riley organized naval battle on Thursday in the World’s Fair reflecting pool in flushing meadows Corona park in Queens. I love how the artist is basing this project off of the fact that the Romans staged these kind of battles in a flooded colosseum during times of extreme hunger to amuse the pleebs. How fitting for the recession! I hear it will be the summer’s ultimate art party, so please join us (in a toga) at 6 p.m. on Thursday, August 13th. For more information, please read Will Cary’s excellent blog entry here: http://www.brooklynmuseum.org/community/blogosphere/bloggers/2009/08/11/the-heat-is-on-2/

Tag, You’re It!

I like a workplace that’s fun as well as intellectually stimulating and it’s always nice when I get tapped on the shoulder to participate in one of our ever expanding and innovative online community projects. This one centers on one of my favorite objects in the collection, the space lander bicycle, and demonstrates how one can “tag” objects in our collection online through the “Tag! You’re it” game on the Museum’s website. Enjoy!

Article about Aiko on Venuszine.com


Earlier in January I wrote this article profiling the amazing street artist Aiko for Venuszine.com. I really enjoy talking to Aiko about her artistic vision, experiences, and projects. I always emerge from our conversations with new insights about living and working as a visionary and brave artist in a very male-dominated field. Please check out the article and let me know what you think!

Brooklyn Museum vs. MoMA

Now, I say to each their own and I enjoy visiting the MoMA, though I am not sure how I feel about their invasion of the Atlantic Pacific subway stop. I would say “it’s better than advertising,” but it IS advertising. However, this article from the Brooklyn Paper made me laugh, because officially even though the Brooklyn Museum is like “Hey, we’re cool with it,” the journalist and the people interviewed are like “Brooklyn is better! Back of MoMA!” I like the idea of the Brooklyn Museum plastering Times Square with reproductions of their works of art though…

Creating Space and Community: Riot Grrrl and Visual Art Article


Following up on a long time personal interest and involvement, I interviewed four artists: Stella Marrs, Nikki McClure, Becca Albee and Amy Yao, about their art making process and, many years later, their thoughts about how Riot Grrrl (all of whom touched or were touched by this movement in some way) related to their art making. I’m so happy how this story came together and you can check it out here on Venuszine.com. The image above is an installation by Becca Albee. Many thanks!