Return of the Zine!

Indulgence 11 CoverBefore I was a world famous blogger and these musings on my life, clothes, travels, and writing were read by millions (or at least by my mom, hi mom!), I poured by personal writing out into a small, handmade publication called Indulgence. I started Indulgence a shocking 15 years ago, in 1998, while I was still in high school and living with my parents outside of Portland, Maine.

The name was inspired by one of my high school English teacher’s snide comments about personal writing – that it was nothing but self-indulgence, as a way to mock that sentiment (I think personal writing is vitally important), carve out a space for my writing, and at the same time, not take myself too seriously.

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Over the years and issues Indulgence has been a place for me to experiment with form, voice, storytelling and risk taking. I came out as queer in its pages in the second issue, did a lot of soul searching about what it meant to move to New York right before September 11th and experience its aftermath in the 7th and 8th, endlessly analyzed my relationship to race as a white woman in the 9th, and recorded the heartache of a New York to Paris love affair in the 10th. Finally, nearly 5 years after issues #10, I finished issue #11.

Even though the zine was dormant for five years, I never stopped identifying as a “zinester” (I certainly relate to it more than being a blogger) or speaking of Indulgence as an active publication. I met my closest friends through writing and trading zines in the late 1990s and early 2000s and am still constantly inspired by zine culture. My experiences organizing zine events, like the Portland Zine Symposium, were a big part of what inspired me to write my first book, Grow. I was even quoted extensively in the New York Times about zine culture in reference to the recent Brooklyn Zine Fest!

However, I felt like all my interesting personal stories had dried up. I was discussing this with Golnar and Mimi after watching a reading during the Race Riot Zine Tour (both of these rad ladies are in their 30s, super smart academics and still make kick ass zines, by the way) and Golnar’s comment gave me the kick in the pants I needed to make a new issue. “My life is way more interesting than it was when I was 17,” she said, “And I still wrote about my life then, so why not now?”

Working on Indulgence #11 at the IPRC

Working on Indulgence #11 at the IPRC

Right, of course. So Indulgence #11 is my way to coax myself back into personal storytelling. I can’t help but feel like the writing is a bit rough around the edges, but it’s a zine after all.

This issue brought my zine making full circle. I laid it out over the course of two days in Portland, Oregon at the Independent Publishing Resource Center’s brand new space (I spent hours at the old, cramped IPRC back in the day making Indulgence issues #5 through #9). When I brought it, hot off the presses, to the Brooklyn Zine Fest a big group of my zine pals from the late 1990s showed up!

My table at the 2013 Brooklyn Zine Fest

My table at the 2013 Brooklyn Zine Fest

So after all of that, I’m really excited to share this new issue with you. It felt good to get gluestick glue all over my fingers again (despite my love of a clean, minimal layout, I will always prefer to do an old fashioned paste-up to a newfangled InDesign layout) and start to put some thoughts and feelings on the page. It’s 28 little pages of stories about music and life in New York City, line drawings, and infographics that try to grasp at the relationship between career, love and money. All in a hand printed cover lovingly stitched together by my own hands. You don’t quite find that kind of love on a blog, right?

You can have your copy for just $3 plus shipping (or a trade). You can order it here!

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Creative Money Maker: Barter Better

What does bartering have to do with creative money management? Over the past few columns I’ve talked a lot about value: valuing yourself, your time, and the work that you make.

Bartering and trading is a way to recognize the value of the work you and others make and exchange that value in a way that is mutually beneficial. To simplify further: bartering is a way to add value to your project or business without exchanging money.

Bartering is great if you have high quality skills or goods to offer, but don’t have a lot of cash on hand. The key to successful bartering is to ensure that what you are offering and what you are receiving are of equal value to each party involved.

For example, when I was regularly publishing a zine I would always offer my zines for trade to other zinesters. I would trade my hand stitched zine with hand printed covers for zines that were just a few photocopied pages because for me personally that the value of a self-made publication based on passion and artistic vision was equal. In addition, it was also important to me to get my zine into the hands of as many readers as possible and build relationships with other zine publishers.

Trading zines at the Portland Zine Symposium 2009. Photo from Last Hours

Just like pricing your work or your time, bartering well is a skill that you can develop. I asked Tim and Shana, the founders of the Punk Rope fitness program, about guidelines for bartering, which they have used to to build and expand their business.

Tips for successful bartering

From Tim Haft and Shana Brady of Punk Rope

  • Set realistic expectation what you can offer and what its worth
  • Be specific as possible on your terms
  • Be prepared for negotiation
  • Be careful when bartering with friends and mixing business and social relationships
  • Identify people who have the skills that you need. Go to the true experts
  • Examine the motivation of the person offering to barter
  • Avoid one-sided arrangements that only benefit one party

Bartering is still a transaction, even though no money is changing hands. When entering into a barter agreement be very clear when you are trading goods and skills and when you are asking for, or offering, a gift to a friend or colleague.Β  If you are trading be sure to make an agreement about what you are offering, what you will receive, and when you expect to deliver on your promises in writing. While it may seem overly formal at first, having an agreement in writing will help clarify an agreement should questions or complications arise.

Shana - Double Unders

Shana Brady of Punk Rope competing in double unders in the Punk Rope games

You have control over what you offer in trade. You don’t want to lose money when bartering. If there’s something you make you can’t afford to give away, even for something of equal value, brainstorm about what else you can offer. For example, if you can’t afford to give away your handmade blank books, maybe instead you could offer book binding classes or design advice?

Bartering is a great way to build knowledge and goodwill about your project. You may find you get more out of it then the monetary value of what you received or offered in trade.

If you are curious about more models for bartering check out Trade School, an alternative, self-organized school that runs on barter and offers classes all over the world.

Overall, bartering is a creative way to build the value of your project and is another important tool in the creative money maker tool belt.

What are some successful examples of bartering you have experienced?

What are your guidelines for bartering?